Creative Australia has today unveiled the title and first details of Archie Moore’s presentation at the 60th International Art Exhibition of La Biennale di Venezia, curated by Ellie Buttrose. Titled kith and kin, Moore’s exhibition in the Australia Pavilion will be a powerful and poignant exploration of his Kamilaroi, Bigambul, British, and Scottish heritage. Moore is only the second First Nations artist to have a solo presentation in the Australia Pavilion. On view from 20 April to 24 November 2024, kith and kin will mark the 25th anniversary of Australia’s participation in the Biennale Arte 2024.

For three decades, Moore (b. 1970, l. Redlands, Queensland) has created thought-provoking art that bridges the personal and the political. His work is rooted in experiences around identity and heritage, and speaks to wider themes of memory, racism, and the universality of the human family. In kith and kin, Moore will reflect on the nature and strength of Indigenous kinship, issues of surveillance and incarceration, the enduring impact of colonisation and First Nations language revival.

The guiding principle in kith and kin is that relationality is the root of identity. The exhibition draws upon Moore’s extensive research and unravels how his family history is entwined with the chronicles of the continent and more recently the nation of Australia. By tracing his Kamilaroi and Bigambul family back 65,000+ years, Moore asserts Indigenous sovereignty. Although First Nations peoples have been threatened by invasion, massacre, disease, and dispossession, Moore celebrates their continuing vitality. While the stories in kith and kin are often specific to the artist’s family, they mirror the narratives of indigenous and colonised people throughout the world.

Photo credit: Archie Moore / Fredrick Noel Clevens in kith and kin 2024 / Digitally altered found photograph / Australia Pavilion, Venice Biennale 2024 / Graphic design work: Žiga Testen and Stuart Geddes / © the artist / Courtesy: the artist and The Commercial